The guitar delivers a bold, rich and resonant voice when played unplugged, and the P-90s retain that character when amplified.

The neck is exceptionally comfortable to play, and the strings respond well to the subtlest nuances and pick articulations. The construction of our example was immaculate, with the fretwork being particularly impressive. I’ve always loved the way P-90s fall in a sweet spot between the fat warmth of a humbucker and the shimmer and twang of Fender-style single-coils, and these pickups are certain to please the most discriminating P-90 connoisseurs. Surprisingly, these pickups are also very quiet, and even when I used an overdrive pedal going into a high-gain amp I experienced none of the usual hum that I get from single-coils. The tone of the Gibson USA P-90 pickups is absolutely fierce, with a crisp, snarling attack and stellar clarity and definition. “Blak and Blu” model is by far the best Casino I’ve ever played. PERFORMANCE I have played quite a few Casinos over the years, including new models as well as prime vintage examples, but I have to admit that the Gary Clark Jr. Vintage-style details include a top-mounted Switchcraft 1/4-inch output jack and a black plastic grommet for the three-position pickup selector switch. The hardware and pickup covers are nickel-plated and include genuine Grover tuners and an ABR Tune-o-matic bridge. The glued-in set mahogany neck meets the body at the 16th fret and features 22 medium-jumbo frets, a 24 3/4-inch scale, Sixties SlimTaper D-shaped profile and rosewood fingerboard with parallelogram inlays. Other important features include a pair of Gibson USA P-90 single-coil pickups, a laminated five-ply maple and birch top, and completely hollow-body construction.

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